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Amplitude Range Parameters: It controls the loudness, the way in which we perceive amplitude.The sensitivity level is set by the user:.

Cutoff Frequency Filter: Sets the cutoff frequency for the low pass and high pass filters. High Pass (HPF): a filter that passes signals with a frequency higher than a certain cutoff frequency and attenuates signals with frequencies lower than the cutoff frequency. Low Pass (LPF): a filter that passes signals with a frequency lower than a certain cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency.

Combo box to switch between the following options: Small rooms can be modeled as well as large spaces.

Reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment.

With a lower setting, the resulting modulation is subtle, while a higher depth will result in a much more extreme effect. Depth: This knob controls the amplitude. Turn clockwise for a faster modulation rate. Rate: This knob controls the frequency. By using the LFO to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo.

Low-Frequency Oscillator Controls: These knobs apply LFO modulation to the selected instrument.

Pitch Bend up: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved the right. Pitch Bend down: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved to the left. Pitch Bend center position: is normal pitch.

Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected instrument.

Release determines the time it takes for the note to fall from the sustain level to zero (silence) level when it is released. Sustain determines level the sound is played at while the note is held (after the other envelope states, Attack and Decay, have been completed). Decay determines the time it takes for the note to go from the maximum level to the sustain level (controlled by Sustain). Attack determines the time it takes for the note to get to the maximum level.

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ADSR envelope generator with Attack, Sustain, Decay and Release parameters:.

The harmonica (known as a French harp or mouth organ) comes with two modes: natural and vibrato, to be used in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock and roll.

Akkordica allows you to reproduce many different accordion types (diatonic and chromatic) for various genres of musical styles such as Folk, Rock, Blues, Jazz, Polka, Tango, Bal-musette, Cajun, Zydeco, Classical, Schrammelmusik, Klezmer, Levenslied, Sevdalinka, Boeremusiek, ForrР В РІР‚СљР РЋРІР‚вЂњ, Merengue, Cueca, Milonga, ChamamР В РІР‚СљР вЂ™Р’В©, Cumbia, Vallenato, NorteР В РІР‚СљР вЂ™Р’В±o, Tex-Mex, Saltarello, Tarantella, Ceol, Basque Trikitixa and Inuit music.

Steirische Harmonika (Styrian Accordion) 7:05.

Melodeon (Diatonic Button Accordion) 6:24.

Bayan (Chromatic Button Accordion) 5:37.

Quick selector to switch between different preset sounds:.

Also available in EXS24 and KONTAKT Sample Libraries.

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Available as plugin in VST 32 bit and 64 bit and VST3 64 bit versions for Windows as well as in Audio Unit, VST and VST3 for macOS.

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This squeeze box and free reed wind instrument is suitable for different musical styles, be it traditional, popular or classical. Akkordica is a virtual accordion, concertina, bandoneon, harmonica and melodica instrument that covers a wide range of sounds and combines a traditional hand-held bellows-driven performance and modern digital functionality.

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Syntheway - Virtual Harmonica Vst, Vst Instruments., Virtual Accordion Vst - Akkordica Virtual Accordion, Concertina, Bandoneon, Harmonica and Melodica VST VST3 Audio Unit Plugins plus EXS24 KONTAKT Sample Libraries